Ran - 1985
Whenever someone asked legendary director Akira Kurosawa which of his movies was his favorite, he would always respond "My next one."
... until he made Ran.
The master auteur's last great epic is partially plotted out as, if you can believe it, a
darker retelling of Shakespeare's tragedy King Lear set in feudal Japan.
The subtle difference is rather than naivety and pride being the source of the Lear character in Ran's (Lord Hidetora) downfall, we find out Hidetora was a ruthless, blood-lusting murderer himself in his quest for power and the nuts don't fall far from the oak tree. Oh, and his daughters are now sons.
It's bleak, it's bloody, it's brutal ... and my God, it's beautiful.
Particularly of note: stunning, chaotic battle scenes devoid of ambient noise with only the haunting minimalist score accenting the action. Hidetora's daughter-in-law, Lady Kaede - a victim of Hidetora's past cruelty - plotting out and facilitating the clan's collapse with the precision of a surgeon. Really, there are just too many accolades to list in this space.
Yes, I can already hear Brick's snarky retort to the merits of picking a film this dark to watch for eternity alone on an island. I don't care - it's like a masterfully done oil painting that's simultaneously so breathtaking and disturbing you just can't look away.
Oh, and speaking of paintings, not that it makes the film itself better, but the entire storyboard was hand-made paintings by Kurosawa himself done over the course of a decade as he let the script '"sleep" before committing to make it. I want one of those too.