with the eighth pick in the eighth round of the 2013 Desert Island Music Draft, i select...
Refused - The Shape of Punk to Come (10/27/98):
01 Worms of the Senses / Faculties of the Skull
02 Liberation Frequency
03 The Deadly Rhythm
04 Summerholidays vs. Punkroutine
05 Bruitist Pome #5
06 New Noise
07 The Refused Party Program
08 Protest Song '68
09 Refused Are F***ing Dead
10 The Shape of Punk to Come
11 Tannhäuser / Derivè
12 The Apollo Programme Was a Hoax
Genre: post-hardcore, hardcore punk, noise rock
http://en.wikipedia.org/wiki/The_Shape_of_Punk_to_Come
this album, like its title implies, quite literally changed the course of punk. it was Swedish-born Refused's definitive statement that punk music should no longer be associated with the unfortunate, shriveled pop-punk acts of the late-90's, but rather that punk should become reacquainted with chaotic noise, crushing volume, extremely raw production values, and scalding dissidence. the result is quite certainly post-hardcore's most important album, a monolithic landmark that hasn't aged a day...
as with Converge's Jane Doe, i arrived late to The Shape of Punk to Come's party, having only caught wind of this album a few years back after borrowing a friend's copy of the music documentary Refused Are F***ing Dead on DVD. he told me that, after watching it, i would rush out to find a copy of The Shape of Punk to Come and listen to it for weeks straight. he wasn't wrong. it hit me in the dead heat of a Northern CA summer, and this "new noise" altered the landscape of my brain. it is so fiery with passion, so convinced of its message, that the listener can't help but scream along...
Refused have recently enjoyed a resurgence in popularity, as many like me discover a gem of a band that few Americans were aware of during their peak, as brief as it was before they called it quits. they reunited for a worldwide tour last year and headlined the famous Coachella Music Festival, among others, but The Shape of Punk to Come remains their masterwork, as convincing a closing argument as any punk band could have made without drinking and drugging themselves into oblivion. as lead vocalist Dennis Lyxzén shouts on "Summerholidays vs. Punkroutine": "I'd rather be forgotten, then remembered for giving in!!"