I'm not a fan of the schmaltzy side of Spielberg, but Private Ryan losing best picture to Shakespeare In Love is worse than GoodFellas losing to Dances With Wolves.
GoGoGadget said:However, I'm going to have to disagree with you here. Shakespeare In Love may not have been a better film than Saving Private Ryan, but at least it wasn't three hours of self-indulgent suck. In my opinion, there are very few Oscar injustices that equal the Goodfellas loss that year.
Haha. Well, there you go. I'm goin by the overall feel of the movie - story and style. I think Boogie Nights was a better film (not to mention LA Confidential) than Titanic, which won BP. Boogie Nights didn't even get a nomination, probably due to the subject matter. I suspect that's what happened to GoodFellas, which looking past the fact that Scorsese had already done numerous pics w/ DeNiro and numerous mob stories, was a 2:30 masterpiece.
I think they also wanted to give Costner the nod for both directing and starring in Wolves (he won both best pic and director). Even tho Pesci won best supporting actor, Liotta didn't even get a nomination for best actor, which was also a shame. Topping that off, Ordinary People beat Raging Bull in 1980, hence Jon Stewart pointing out the lameness of 3-6 Mafia having an Oscar and Scorsese having ZERO.
I LOVE the Oscars. I look forward to watching it every year.
Can I jump in and say I hate the Oscars too? I can tolerate the "lesser" awards since they go to people who aren't always recognized for their efforts but Best Picture is almost always wrong to the point of being laughable. Feel free to peruse the list to see just how many turkeys have won: http://en.wikipedia.org/wiki/Best_Picture_Oscar
On the other hand I do have a picture with me holding not one but two more than Scorcese's got. Unfortunately I had to give them back but for ordinary schmoes like me a picture will suffice.
Wow-you lucky girl! So, are seat-fillers allowed to talk to the celebrities? Do the celebrities ever talk to them? Or do you just have to walk over, sit down, and shut up until George Clooney or whomever gets back?
Allright, I read the 80s/90s/00s section, and here is my opinion of the most egregious year over that time period. It was a strong year, but any one of the other 4 would have been a clear winner over the Gumpster. (4 weddings easily the second weakest entry, but still better than Forrest)
1994 (67th) Forrest Gump - Paramount Pictures - Wendy Finerman, Steve Tisch, Steve Starkey
- Four Weddings and a Funeral (United Kingdom) - Channel Four Films, PolyGram Film Entertainment, Working Title Films - Duncan Kenworthy
- Pulp Fiction - A Band Apart, Jersey Films, Miramax Films - Lawrence Bender
- Quiz Show - Baltimore Pictures, Hollywood Pictures, Wildwood Enterprises - Michael Jacobs, Julian Krainin, Michael Nozick, Robert Redford
- The Shawshank Redemption - Castle Rock Entertainment, Columbia Pictures Corp. - Niki Marvin
Oh, that one still bothers me. Pulp Fiction and Shawshank were so far ahead of the rest of the field, it's not even funny.
Though both are great, solid movies (and personally my vote would go to pulp fiction) why all the forrest gump hate? i think it merits the award as much as any of the other contenders.
Agree w/you. I thought that Forrest Gump was an excellently made film that deserved the Oscar. Perhaps people dump on it so much because of the sentimentality and feel-good vibe throughout, although I didn't think that it came across as bombastic or corny.
although I didn't think that it came across as bombastic or corny.
Driving Miss Daisy is definitely up there for me. I'm partial to The English Patient taking that honor but really there are so many to choose from. Just going back to 1979 it seems like they got it right maybe 5 or 6 times.I don't personally don't think Gump was much diff or any better than Born On The Fourth Of July, which lost out to Driving Miss Daisy in 1989. Try that on for worst best picture.
HndsmCelt said:My point is it is not only futile, but dam near childish to look to the Oscars as some sort of yard stick of "BEST WORK" or too expect "Justice" in the little envelopes.
Don't know why Crash won last year, don't know why I seem to be the only one who hates it and finds the coming to grips w/ racial differences theme utterly played out (Grand Canyon, Do The Right Thing, Falling Down, A Time To Kill, Higher Learning, etc).
Spoken like a true Kobe fanMy point is it is not only futile, but damn near childish to look at the MVP as some sort of yardstick of "BEST PLAYER" or to expect "justice" in the little envelopes.
Steve Nash = Dances With Wolves.