Out of curiosity, what's on iTunes? Exodus? 'Cause I love Hikki, but that album is terrible. Her music doesn't seem to translate to English well at all.er...having just listened to samples on Itunes -- no I don't.![]()
Out of curiosity, what's on iTunes? Exodus? 'Cause I love Hikki, but that album is terrible. Her music doesn't seem to translate to English well at all.
As it is, I'm getting an album with several of my favorites by Louis & Keely, as well as "There'll Be No Next Time," a great track in which Sam takes the lead.
And I would have thought Louis Prima was a brand of spaghetti sauce.![]()
Hikki is a pop artist.
If bozzwell says he has this album, well... I'm not going to accuse him of lying, since he seems a trustworthy sort, and there's certainly no reason to lie about something so meaningless, but I'll definitely be in "raised eyebrows" mode... Whether that's a raised eyebrow of awe or a raised eyebrow of skepticism will be an exercise left to the reader.
My next pick is...
Hikaru Utada - Distance - 2001
Fly — perhaps appropriately, given the title — finds the group in full flight, in full possession of their talents. This time around, the different sounds they draw upon are more fully integrated, which only makes them more distinctive as a group. Even if the whole of the album feels more of a piece, they still take the time to deliver a slice of pure honky tonk on "Hello Mr. Heartache" and a piece of breakneck bluegrass on the rip-roaring, wickedly clever "Sin Wagon," which is also one of the group originals here, a collaboration between Natalie Maines and Emily Robison and outside writer Stephony Smith. It — along with the Maines-cowritten "Without You," the Maines/Robison "Don't Waste Your Heart" and Martie Seidel's co-written "Ready to Run" and "Cowboy Take Me Away" — showcase the trio's increasing craft as writers, which is one of the reasons this album sounds unified. But even the outside-written material feels like the group, whether it's the twangy boogie "Some Days You Gotta Dance," Patty Griffin's "Let Him Fly," the melancholy "Cold Day in July" and, especially "Goodbye Earl" where a wife gets revenge on her abusive husband. Like before, the group moves gracefully between these different styles, with Maines providing a powerful, compelling focus with Robison and Seidel offering sensitive support, and this blend makes Fly a rich, nuanced album that just gets better with repeated listens.
Fly is the fifth album by American country band Dixie Chicks, released in 1999 (see 1999 in music). The album was very successful for the group receiving diamond status by the RIAA on June 25, 2002 in the USA, having shifted 10 million units.[1] The album debuted and peaked at #1 on the Billboard 200.
The tracks "Ready to Run", "Cowboy Take Me Away", "Goodbye Earl", "Cold Day in July", "Heartbreak Town", "Some Days You Gotta Dance" and "If I Fall You're Going Down with Me" were all released as singles; "Sin Wagon" also charted without officially being released. "Some Days You Gotta Dance" was previously recorded by The Ranch, a short-lived country trio founded by Keith Urban in the late 1990s. Urban plays guitar on the Dixie Chicks' rendition.
Katrina and The Waves - Katrina and The Waves
I've heard "One," I'll have you know; it's one of the few rock/metal songs I like.Metallica - And Justice for All (1988)
Possibly my most favoritest album of all time, but I thought it would be safe until now. An epic album. Everybody (except Slim) knows "One", but there are other great songs on this album as well, such as the title track.
I'm diversifying a bit, and even though I'd still consider this to be a "punk" album, it is also far poppier than most anything else I've picked and was quite popular amongst my peers, so I'm surprised its still on the board.
The Violent Femmes - Violent Femmes (1982)
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I actually like some of the stuff the Femmes did afterwards but there's no doubt that this album offers up what is generally considered their best work - tunes like "Add It Up", "Gone Daddy Gone" and "Blister in the Sun" are probably the most recognizable, but pretty much every track on the album could have been a hit had the album been released in the 90s instead of a decade earlier.