with the ninth pick in the seventeenth round of the 2013 Desert Island Music Draft, i select...
Ghostface Killah - Supreme Clientele (02/08/00):
01 Intro
02 Nutmeg (feat. RZA)
03 One (feat. T.M.F.)
04 Saturday Nite
05 Ghost Deini (feat. Superb)
06 Apollo Kids (feat. Raekwon)
07 The Grain (feat. RZA)
08 Buck 50 (feat. Method Man, Cappadonna, & Redman)
09 Mighty Healthy
10 Woodrow the Basehead (Skit)
11 Stay True (feat. 60 Second Assassin)
12 We Made It (feat. Superb, Chip Banks, & Hell Razah)
13 Stroke of Death (feat. Solomon Childs & RZA)
14 Iron's Theme: Intermission
15 Malcolm
16 Who Would You F***?
17 Child's Play
18 Cherchez la Ghost (feat. Madame Majestic & U-God)
19 Wu Banga 101 (feat. GZA, Raekwon, Cappadonna, & Masta Killa)
20 Iron's Theme: Conclusion
Genre: hip hop
http://en.wikipedia.org/wiki/Supreme_Clientele
well, now i'm starting to feel the pressure. with just a few rounds left, i've still got, i dunno, maybe fifty albums left that deserve a spot on my particular desert island. this has been quite a fun exercise in restraint, though, as i flip through my collection of LP's and scroll through my iTunes library to try and whittle down a list of albums that jumpstart the rush in my bloodflow. diversity is important to me, as is ignoring the scramble for an entire host of "classic rock" albums. the thing is, a great many of those albums simply reach a saturation point in our collective consciousness. we know them backwards and forwards, because those songs appear in television shows, films, car commercials, malls, summer bbq's, etc...
the way i see it, i don't need any music on my desert island that you're likely to find on a classic rock radio station, or that you're likely to hear parodied in an advertising jingle, because i've already got those songs stuck on repeat in my memory. i can recall every lick in "Stairway to Heaven" without racking my brain. i can pin down every vocal cue in "Bohemian Rhapsody" without scratching my head. they come with me wherever i go, whether i want them to or not...
that said, i've been very careful in this draft to select albums that i deem "classic," but that don't necessarily come from a place of consensus. it's my desert island, after all. i'd have no one to sing Beatles tunes with even if i wanted to, no one to play air-guitar alongside my air-drums during Nirvana's "Smells Like Teen Spirit." so each of my picks is one that thrills me in some way, that hasn't lost its magic, that isn't going to bore on the millionth listen while i repeatedly fail at building a raft to get me back to the mainland, so i can discover something
new...
Ghostface Killah is then as good an artist as any to usher in the final few rounds of the draft. he is, in my opinion, the Wu-Tang Clan's most deadly secret weapon, and Supreme Clientele, his second solo album, represents his crowning achievement. this dude manages to rhyme "hippie" with "Poughkeepsie" in the opening bars of "Nutmeg," and that should give you a sense of the boundless creativity at the tip of his tongue. he's as wildly inventive an emcee as hip hop has seen in it's still-young history. his internal rhyme schemes are tightly-woven tapestries, and they were one of the big influences on my early attempts at poetry...
i used to print out makeshift lyric sheets of each song on this album, and color-code every internal rhyme i'd spot in highlighter. what i noticed about Supreme Clientele over time was that Ghostface
almost never reached for the easy rhyme, or the obvious image. he's a master of juxtaposing disparate ideas to create hip hop that doesn't stagnate, that doesn't fall victim to cliche even as he makes use of tried-and-true rap formulas. this album is nearly flawless, in my opinion, and it definitely needs to come with me as the 2013 Desert Island Music Draft winds down...